A Mural in the Morning Rush: What 'Les Marées' Means to Vermont Commuters
Daphné Côté-Ouellet's new anniversary mural is up at Burlington's Central Transit Hub — and the people passing through it every day have plenty to say. The official dedication is April 19th.
BURLINGTON, Vermont — Most mornings, Petra Halvorsen is through the Central Transit Hub in under four minutes. Tap in, grab coffee from the cart by the south doors, board the 7:12 to Montpelier. She has done it so many times she stopped seeing the walls.
That changed last week.
"I actually missed my train," she said, a little sheepish, standing in front of Les Marées / The Tides on a recent Wednesday morning. "I just stood there. I was late to work and I did not care even slightly."
Daphné Côté-Ouellet's sweeping new mural now covers the full length of the hub's main concourse wall — nearly forty metres of overlapping tidal imagery, hands, tree lines, and what the artist has described as "the shoreline between what was and what we're becoming." It was installed quietly over the past several weeks and unveiled to commuters last week without much advance notice. The official public dedication is scheduled for April 19th, the sixth anniversary of the Philadelphia Declaration.
That date is not incidental. The Philadelphia Declaration — signed in 2036 — was the founding document of RONA, the moment the republic became a legal fact rather than a political aspiration. For Vermonters, who were among the first principality populations to ratify it, the anniversary carries particular weight.
"Six years doesn't sound like much," said Marcus Dufresne, a school bus driver from Winooski who passes through Burlington Central three times a week. "But I remember what the year before felt like. Six years feels like a long time when you remember that."
The Burlington Arts Council commissioned the piece as part of the broader RONA@6 anniversary programming. According to a council spokesperson, Côté-Ouellet — a Montreal-born artist who has lived in Burlington for four years — was selected through a competitive process that drew seventeen proposals. The council said transit hubs were prioritized over gallery spaces specifically because the work was meant to live in daily life.
"The brief was clear," said the spokesperson. "This isn't a museum piece. It's for the 6 a.m. crowd."
That decision appears to have landed well among the people it was meant for. Commuters interviewed at the hub this week used words like "calming" and "big" and, from one teenager waiting on the school connector, an enthusiastic colloquial endorsement. Several noted that the bilingual title — French first, English second — felt right for a space where Montreal-bound passengers mix with locals heading up the Champlain corridor.
Not everyone has stopped to look. The transit hub moves tens of thousands of people a day, and most of them are, reasonably, in a hurry. But the mural is hard to ignore. It catches the morning light through the east-facing clerestory windows in a way that shifts the colour of the water imagery from grey-blue to something closer to amber.
Halvorsen, who grew up in Stowe and moved to Burlington a decade ago, said she has started leaving the house six minutes earlier.
"It sounds ridiculous," she said. "But it's the nicest part of my commute now. I just wanted a little more time with it."
The April 19th dedication ceremony is open to the public. The Burlington Arts Council said Côté-Ouellet is expected to speak.