A Librarian, a Pinned Note, and Three Photographs Sent Quietly North
Richford Public Library's Colette Aubin-Roy photographed her community board and emailed the images to a McGill research collective — prompted by nothing more than a patron's handwritten request. No one told her to. She just thought it mattered.
A Librarian, a Pinned Note, and Three Photographs Sent Quietly North
RICHFORD, Vermont — On a Monday afternoon earlier this week, Colette Aubin-Roy walked to the back corner of the Richford Public Library, took out her phone, and photographed the community board. All three surfaces of it. Then she went back to her desk, typed a short cover note, and sent the images to an address she had found listed for the McGill Civic Memory Collective.
Nobody asked her to. Nobody told her to. A patron had pinned a small handwritten note to the third surface of the board sometime in the days before, reading simply: send this to the collective. Aubin-Roy said she turned it over in her mind for a day or two before deciding she could not really leave it unanswered.
"It felt like a reasonable request," she said Tuesday, shrugging slightly. "Someone took the time to write it down and pin it up. That means something here."
The Richford board is the kind of object that accumulates slowly. It started, by most accounts, sometime in the late 2030s as a simple corkboard for event notices and lost-cat flyers. Over time it became something else: a layered record of how the town has talked to itself. Meeting announcements in English and French. A hand-drawn map of the new trail connection to the old rail bed. Notes about school budget hearings. A phone number for the fuel assistance program, rewritten twice as the number changed. Someone, at some point, began pinning bilingual dialogue summaries from library programming sessions — small typed documents recording what people said, in whatever language they said it.
It is, in other words, a document of civic life in a Vermont border town in the early years of the republic — which is presumably why someone thought the McGill collective might want to see it.
Aubin-Roy said she kept her cover note brief. She explained the board's origins as best she understood them, noted the bilingual character of some of the materials, and said nothing about what she hoped the collective might do with the images. "I made no requests," she said. "I don't think that was my place."
As of Tuesday afternoon, she had received no reply. She said she was not particularly worried about that. "They're a research group. I imagine they get things sent to them."
She also said she had not mentioned the exchange to anyone in an official capacity at the library — not to the board of trustees, not to the principality's cultural programs office. She was not sure it rose to that level. "It might not be useful to them at all," she said. "But the note was there. Someone wrote it."
This is not a story about grants, formal archival partnerships, or press releases from the Council of Principals about RONAn cultural preservation. It is a story about a librarian in Richford acting on a patron's written request on a quiet Monday afternoon because the accumulated weight of voices on a community board seemed, to her, like something worth passing along.
Vermont has long conducted much of its civic business this way — in small gestures that never make agendas, and that only occasionally find an audience beyond the room where they began.